Glass sculpture seen with hand holding tool

Athens Glass Artist Works to Perfect His Craft

Inside a makeshift studio in his parents’ garage in Athens, 33-year-old Quen Wallace carefully melts a rod of sage green glass in a bright flame.

The beginning form of a glass seahorse made by Quen Wallace inside his home studio in Athens on March 4, 2026. (Photo/Lynsey Miller)

“Glass is a very persistent teacher of patience,” he said. “You can’t rush anything. You have to wait for glass to melt. You have to wait for things to heat up slowly. You have to wait for things to cool down slowly.”

Quen Wallace holds an empty bottle over a torch inside his Athens studio on March 4, 2026. Reflected in a mirror, Wallace is surrounded by rods of glass. (Photo/Lynsey Miller)

Quen’s specialty is lampworking, a form of glass art that uses a stationary torch to melt and shape glass rods or tubes. Many of his pieces draw inspiration from traditional Southern pottery initially created in Edgefield, South Carolina. He grew up with a particular piece in his childhood home that became the source of his inspiration.

Handmade glass bottles line a worktable inside Quen Wallace’s Athens studio on March 4, 2026. He sells these at different art shows all across the country. (Photo/Lynsey Miller)

“I couldn’t look away from the face,” he said. “It was terrifying, but I loved it at the same time.”

Quen Wallace holds a clay jar in Athens on March 4, 2026, modeled after a traditional South Carolina face pot that directly inspired much of his glasswork. (Photo/Lynsey Miller)

After serving in the Navy and later working in law enforcement, Quen returned to Georgia looking for distance from that part of his life and for a fresh start for himself and his daughters.

He worked with an artist at a side job who invited him into a studio, and that was when he decided he wanted to become a glass artist. At the beginning, however, he only observed.

 “I turned the torch on maybe three or four times,” he said. “Every other time I was just too nervous.”

Quen Wallace heats glass over a torch inside his Athens home studio on March 4, 2026. Reflected in a nearby mirror is a piece he made dangling from his parents’ porch catching the light of the sun. (Photo/Lynsey Miller)

Now, dozens of shelves hold rods of borosilicate glass, the same material used in laboratory equipment and oven-safe containers, alongside unfinished projects. Borosilicate glass, his chosen medium, is much more forgiving than other forms of glass. He can start and stop projects on his own timeline.

“There’s definitely days that I’m like, ‘Oh, today is not the day,’” he said. “It just depends which way the wind’s blowing.”

Quen Wallace inside of his studio in Athens on March 4, 2026. A table of rods with unfinished pieces sit next to oxygen tanks that fuel his torches. (Photo/Lynsey Miller)

The art carries a personal touch, too. Each year on his middle daughter’s birthday, he makes her something from glass.

“She has a marble from her first birthday,” he said. “She has a cup from her second.”

Quen Wallace holds up a glass marble, reflecting his face upside down outside of his studio in Athens, on March 4, 2026. (Photo/Lynsey Miller)

Ultimately, the work has become its own form of therapy for him.

“It’s so much fun,” he said. “You get lost in watching what’s happening. Time passes like that.”

Quen Wallace holds a glass rod over his torch inside of his studio in Athens on March 4, 2026 as the sun shines in behind him and casts shadows on the wall. (Photo/Lynsey Miller)

Lynsey Miller is a senior journalism major at the University of Georgia.

 

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